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Kalam Sain Ishqi/کلام سائیں عشقی
📖 Kalam Sain Ishqi (کلام سائیں عشقی)
✍️ Poet: Sain Ishqi (سائیں عشقی)Sain Ishqi (سائیں عشقی) was a renowned Punjabi Sufi poet whose poetry revolves around Tawheed, Risalat, Ishq-e-Haqiqi, and Tasawwuf. His work reflects deep spiritual truths, divine love, and the essence of mysticism.
🕌 Spiritual Background of Sain Ishqi
Sain Ishqi (سائیں عشقی) belonged to Baba Ilm Din Faqr (بابا علم دین فقر), Chak 81 Pandori J.B (چک 81 پنڈوڑی ج ب), Faisalabad (فیصل آباد). His poetry is filled with dervish wisdom and divine love, portraying the journey of the soul toward the ultimate truth.
🌿 Core Themes of Kalam
📌 Tawheed (توحید) – The oneness and power of Allah
📌 Risalat (رسالت) – The greatness and love of Prophet Muhammad ﷺ
📌 Tasawwuf (تصوف) – Spiritual path, divine wisdom, and mysticism
📌 Ishq-e-Haqiqi (عشقِ حقیقی) – Pure love for Allah and His Prophet ﷺ
📌 Dunya Ki Be-Sabaati (دنیا کی بے ثباتی) – The transient nature of worldly life📜 Selected Verses (Extracted from PDF)
🔹 Ishq Allah di Zaat Sain Ishqi (عشق اللہ دی ذات سائیں عشقی)
🔹 Muhabbatan De Rang Wich Range Jande Ne Aashiq (محبتاں دے رنگ وچ رنگے جاندے نیں عاشق)
🔹 Je Ishq Nahi Te Rab Nahi Labhna (جے عشق نئیں تے رب نئیں لبھنا)(More verses can be found in the book, reflecting deep Sufi wisdom and spiritual insights.)
📌Punjabi Poetry & Sufi Literature
📖 Punjabi Shayari (پنجابی شاعری), Sufi Shayari (صوفی شاعری), Ishq-e-Haqiqi (عشقِ حقیقی), Tawheed (توحید), Tasawwuf (تصوف), Allah Da Ishq (اللہ دا عشق), Wali Allah (ولی اللہ), Dervishi (درویشی), Wahdat-ul-Wujood (وحدت الوجود), Maarfat (معرفت), Punjabi Adab (پنجابی ادب), Lok Shayari (لوک شاعری), Auliya Karam (اولیاء کرام), Ruhani Shayari (روحانی شاعری), Allah Hoo (اللہ ہو), Punjabi Sachaiyan (پنجابی سچائیاں), Haqiqat Da Safar (حقیقت دا سفر), Baba Faqr (بابا فقر), Ishq-e-Ilahi (عشق الٰہی), Ruhani Kalam (روحانی کلام), Punjabi Sufi Riwayat (پنجابی صوفی روایات)
📥 Book Availability
This book is provided by Tooba Book Foundation (طوبیٰ بک فاؤنڈیشن) and can be downloaded for free.
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kalam Shaiq/کلامِ شائق شاعر فاضل شائق
آرزوئے محبت وچ روہڑ دتے جو ہر عمر دے سارے خیرات کر کے
صلہ چاہت دا ملیا نہ مول مینوں ایسے رہیا مقدراں مات کر کے
پیشمان نہ ہو یا میں عمر ساری نے بھانویں ابتر کتنے حالات کر کے
اکو گل آخیر ہے شائق کھا گئی سجن رولیا مینوں دن رات کر کےآرزوئے محبت رہی کو ل میرے باقی ککھ نہ رہیا حیات اندر
عروچ اڈیکاں گزار چھوڑی لمحے فرقت دے رہے برات اندر
حاص ککھ نہ ہو یا آخیر اُتے خبرے رازسی کہڑا اس بات اندر
کنڈے ہر سو شائق کھیلار دتے آپو اپنی اس کائنات اندر -
KAYANI TAREEKH KAY AINAY MAIN
کیانی تاریخ کے آئینے میں
KAYANI TAREEKH KAY AINAY MAIN
کیانی تاریخ کے آئینے میں
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Kulyat Bashir/کلیات بشیر
Kulyat Bashir / کلیات بشیر
“Kulyat Bashir” is a collection of the Punjabi and Pothohari poetry of Raja Bashir Ahmed, published by the Pothohar Adabi Academy (“پوٹھوہار ادبی اکیڈمی”). The book was published under the patronage of the Chairman of the Pothohar Adabi Academy (“پوٹھوہار ادبی اکیڈمی”) Ustaad Shua’ra Fazi’l Shaik (“استاد الشعراء فاضل شائق”) in June 1993. The cover design of the book was prepared by Yunus Kamal Noshi (“یونس کمال نوشاہی”) from Kallar Syedan, while the calligraphy was done by Chaudhry Tayyab Hussain Barsalvi (“چوہدری طیب حسین برسالوی”). The book was published at the request of Raja Asghar Zaman Kiani (“راجہ اصغر زمان کیانی”).Raja Nazir Ahmed Bashir was born in 1933 in the village of Dhoke Badhal (“گاؤں ڈھوک بدہال”). He began writing poetry in Punjabi and Pothohari at the age of 25, focusing on subjects like “Ahmad and Naat” (“احمد و نعت”), the “waqea Miraj al-Nabi ﷺ” (“واقعہ معراج النبی ﷺ”), the “شہدائے کربلا” (“Shaheedaye Karbala”), “Showni Mainwal” (“شوہنی مینوال”), and “true love” (“عشق حقیقی”). He passed away at the age of 38 due to a road accident after being under medical care for a month. During his life, he had planned to publish a book titled “Barg o Sammar” (“برگ وثمر”) (Leaves and Fruits). In his memory, his brother, Raja Nazir Ahmed Bashir, compiled his works and had them published by the academy.
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la’alan de Kan/لعلاں دی کان
Mehrab Khawar (محراب خاور) is a distinguished poet whose poetry (شاعری) holds a prominent place in literature (ادب). I have been acquainted with his remarkable personality for the past ten years. It is said that a verse (شعر) is a reflection of a poet’s true self.
The philosophy (فلسفہ) and mysticism (تصوف) in Mehrab Khawar’s (محراب خاور) poetry contain unique symbols and deep meanings that set him apart from all other poets (except for great poets like Allama Iqbal (علامہ اقبال)). For instance, when Mehrab Khawar (محراب خاور) wrote about “Adam” (آدم), he depicted dust/clay (خاک) in such a way that every reader could vividly experience their own greatness (عظمت), rise and fall (بلندی و پستی), and the mysteries of creation (تخلیق), as if these were living images before them.Mehrab Khawar (محراب خاور) presents Adam from every era in the form of the eternal Adam (ازلی آدم). His spiritual poetry (روحانی شاعری) is reminiscent of how Allama Iqbal (علامہ اقبال) infused the essence of Rumi (رومی) into his work. His book “Lalaan Di Kaan” (لعلاں دی کان) is a literary masterpiece (ادبی شاہکار) that, when read with an open heart and mind, reveals that the poet has transcended his own existence into another spiritual (روحانی) form.He crafts pearls of wisdom (حکمت) from dark soil and presents them to the seekers of spiritual wisdom (عرفان). My prayer is that Allah Almighty (اللہ تعالیٰ), for the sake of Prophet Muhammad PBUH (سرکارِ دو عالم صلی اللہ علیہ وآلہ وسلم), elevates his thought-provoking verses (فکر انگیز کلام) and makes them a source of Sufism and Gnosis (تصوف و معرفت) for true seekers. Ameen (آمین).
Qazi Zia-ul-Haq Qazi (قاضی ضیاء الحق قاضی)
(Changa Mera (چنگا میرا), Gujar Khan (گوجر خان))
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Lahore Say Yarqand By Mustansar Hussain Tarar
لاہور سے یارفند مصنف مستنصر حسین تارڑ
Lahore Say Yarqand By Mustansar Hussain Tarar
لاہور سے یارفند مصنف مستنصر حسین تارڑ
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